Wet Ink got a nice review in the New York Times for our recent concert as part of Issue Project Room’s Gaudeamus Muziekweek. I was fortunate to perform some great new works by Kate Soper, Ted Hearne, and Chris Trapani. A short excerpt is shown below. Please click here to see the full review.
“Another of the ensemble’s composer-performers, Kate Soper, sang her own “cipher,” an exotic score in which her vocal settings of text fragments from Wittgenstein, Freud, Jenny Holzer, Michael Drayton and Sara Teasdale closely matched, in timbre and gesture, a brash violin line played energetically by Joshua Modney. Sometimes Ms. Soper ran a hand along the fingerboard.”